WHAT'S THAT SMELL? PART 51

Back in 1958 I started work in Liverpool city centre. I’d toddle off to Lewis’s during my lunch hour. Entering by the doors near Central Station in Ranelagh Street - which in those days was on a bus route so the smell of diesel fumes was strong - was sheer heaven as one was almost immediately inside the toiletry, make-up and perfume department. Scented with the products of Goya, Cote, Yardley, Max Factor, Elizabeth Arden and even Rimmel I’d be almost giddy with delight. You name it and there was a counter for it. I doubt I was the only teenager who’d try out a free dab of this perfume or that. In those days I couldn’t afford to buy such luxuries so had to make do with soap and water and a wash down as we had no bathroom.

What sent me off down Memory Lane in this direction?

One of the women in the changing room at Total Fitness health centre was using moisturiser after her swim and we got talking about how we never put anything else on our skin these days. But she did love perfume and that comment reminded me of my mam and the little bottles of scent she had on her dressing table in the old days. Favourites were Evening in Paris and Californian Poppy. Being of the same generation as myself, the mention of them struck a chord with my fellow swimmer who also liked a touch of lippy. Her mother had been a great believer in lipstick as a morale booster. As for Mam she always used lippy as she called it come Saturday evenings when she and Dad went to the pictures.

One of my favourite shades as a teenager was Coral. In fact if my memory serves me right, it was probably the most popular one going in the late fifties.

Even then I never put anything on my skin, except Nivea or Astral sun cream when sunbathing. Mam’s favourite skin standby was Pond’s Vanishing Cream. I always presumed it was the cream that vanished once on her skin but thinking about it now presumably she used it hoping it would make any wrinkles disappear. I knew girls who used Max Factor’s pan stick which completely covered the skin like a beige mask.

When I did earn enough to splash out on perfume, I bought Yardley’s Lavender Toilet Water or Attar of Roses. Eventually I graduated to Sandalwood, Coty L’Aimant or Tweed by Lentheric.

In those days we used a lot of talcum powder. Is it only me who never uses talcum powder these days? Avon’s body lotion has taken its place in the hope that it will keep my skin from looking like a prune.

Yet I must be getting old because I remember when shampoo used to come powdered in packets called Amami and we rubbed it into our dry hair. Oh the joy when I switched over to liquid gold in a bottle called Sunsilk that left my hair squeaky clean.

I only ever expected my boyfriend and the men in my family to smell of Brylcreem, clean skin or sweat. It was to be a few years before they began to use Old Spice shaving soap and aftershave. As for deodorant that was a toiletry of which we gave little thought. The men used Lifebuoy soap and we girls used tablets of Lux, Camay or Pears translucent. I do remember Dad also washing his hair with the Sunlight soap Mam used to scrub the collars of his shirt. He being a plasterer he often came home with hair thick with powdered plaster.

Times change and these days a waft of fragrance can be left in their wake when one of my sons pass before me down the stairs on their way out. The male is no longer looked upon askance or asked with a suspicious look, ‘What’s that smell?’ They, too, have discovered they like a heavenly scent for themselves. And us women like it - in moderation. 

FERRY ACROSS THE MERSEY: PART 50

I’ll never forget the feeling of being on an overcrowded ferry forging through the waters of the Mersey while the sun sank in the sky as the boat headed for the landing stage at the Pierhead. I had sand in my knickers, in my hair and between my toes despite all my efforts to get rid of every grain with a towel stiff as a board from hanging on the line in our backyard in the sun. No doubt we were on the last ferry from New Brighton to Liverpool and that’s why we were all wedged together like sardines in a Skipper’s tin and the boat seemed to dip heavily from side to side.

This was in the fifties, a few years before Gerry and the Pacemakers' record hit the charts or Liverpool became famous for its musicians rather than just its football teams, actors and comedians, the Grand National and being the second premier port in the country.

I might have mentioned it before but I doubt it will hurt to repeat what my mother often said about Liverpudlians having salt water in their veins. Most of us also prefer to live beside the seaside or at least within a short distance of it. Maybe that’s why when my eldest brother moved south he ended up living in Westcliffe-on-Sea and three of my cousins who crossed the Atlantic settled near the coast, one in Canada, and two in the US of A.

So maybe it’s not surprising that my very latest 50s hardback LOVE LETTERS IN THE SAND has several scenes set on local beaches. A couple of characters reminisce about their memories of New Brighton and there is also a couple of scenes set on the ferry and the beach.

I also have lots of memories of beaches this side of the Mersey. From Seaforth Sands to the dunes of Formby. More recently Crosby has hit the headlines because of the Iron Men. I reckon it also has the best view of the Wirral coastline and on a clear day the mountains of Snowdonia that can be seen from such a distance. In the other direction even before one approaches Southport one can see Blackpool Tower further north.

Besides beaches being places of pleasure they can also be dangerous. I could not resist putting on one of my characters’ mouths the tale of my mother sinking up to her thighs in sticky black mud. I cried, thinking she was going to get swallowed up in a patch of sinking sand. Fortunately it did not happen but her brand new white sandals were ruined. We were also warned about keeping an eye on the tide and not to go wading out to sandbanks.

My brothers, my sister and I all learnt to swim at Margaret Street baths in Everton. My father’s method of getting us to lift our feet off the bottom and go for it was bribery. When I managed to swim a breadth he gave me a shilling. I was paid another shilling when I jumped into the pool. My husband learnt to swim by being thrown into Burroughs Gardens swimming baths at the age of four by one of the attendants. John’s father worked there as a stoker and the pool was empty of people at the time. My husband went on to enjoy skin diving as a hobby and I have never lost my love of swimming.

The book begins with a prologue which involves my heroine getting into difficulties in the sea. A scene I hadn’t really envisaged when I started writing. It started with a different opening altogether. Yet having decided on the Pat Boone song that was a hit in the fifties for my title, I realised I had to get a scene on a beach in somewhere quickly and that is why I eventually settled on the opening I did, praying that it would grip my readers. I also set a chapter or two in Blackpool where I was born in a hotel on the South Promenade during WW2.

LOVE LETTERS IN THE SAND is out in hardback this week, 31^st March 2015. Please, do consider supporting your local library if you have one by ordering it.

If You Ever Go Across the Sea To Ireland: Part 49.

A few years back I remember going to the evening do of a wedding in Liverpool’s Irish Centre at 127 Mount Pleasant. I remember being surprised once inside the building because it was quite fabulous. Then I discovered that it used to be the old Wellington Assembly Rooms and dated back to 1815. Those who know their history will remember that the Battle of Waterloo was fought June that year. Some will also know that Arthur Wellesley, the Duke of Wellington, was a native of Ireland.

Growing up in Liverpool I recall that two popular songs during those times were “I’ll Take You Home Again, Kathleen” sung by Josef Locke, who I remember appearing in pantomime at the Pivvie in Lodge Lane. Mam would take my brother, sister and me and we would meet her sister, my Aunt Flo and our Hawitt cousins there. As for the song “If You Ever Go Across the Sea to Ireland” that was generally more likely to be heard sung by a slightly drunk Irishman on St Paddy’s night.

Ships have been sailing across the sea to Ireland from Liverpool ever since King John gave Liverpool its charter way back in 1207. The first time I set foot on the Emerald Isle was during the summer of 1969 when I went with my husband, John, and friends on a diving holiday near Durras, not far from Bantry Bay on the Atlantic coast. They had been the year before and the weather had been fantastic but when John and I and baby son, no 1 went, Ireland lived up to its reputation and rained more days than the sun shone. I didn’t dive but it was still a holiday to remember in that John got caught in some currents and nearly got swept out to sea. As it was he had a long walk back after a heck of a swim, too, before we saw him again. That holiday was also memorable for the size of the crayfish, mushrooms and having potatoes in their jackets served from the pan in Kinsale. I remember thinking there was something mystical about that green land. That was also the year we saw headlines about explosions on the billboards in Dublin on our way to the ferry to catch the boat to Liverpool.

My second trip to Ireland was years later and I went by bicycle and ship with my youngest son, Daniel. It was the school summer holidays and I was planning on writing an historical romance set in the 14^th century. I was going there to do research. We cycled into the Wicklow Hills and stayed in an old farmhouse where mice ran along the rafters and the toilet was a bucket with a seat in an outhouse covered in rambling roses. Water was fetched from a nearby river and the fireplace had a cooking pot like a cauldron that hung on a hook. We were made very welcome and met interesting people. It was also the perfect setting for part of my book FATEFUL ENCOUNTER. We didn’t stay there long because I needed to do some research in Dublin. Unfortunately the castle was closed for renovation but there was still the museum to explore and the Liffy to wander along and the Book of Kells to see at Trinity College.

I was to use that experience again a few years later when I wrote FLOWERS ON THE MERSEY set mainly during the early 1920s.

September 2005 was the year I returned to Ireland with my newly widowed sister who was doing the driving and we were on our way to a B&B in Naas. Our niece was marrying an Irishman and the weather was perfect. The church was actually in a small village in Co Dublin and it was quite an occasion. The bride looked beautiful and the food was fantastic, as was the music and the wine flowed.

My sister and I were to return to Ireland again. This time by coach and ferry and the journey was long as we were staying on the coast in Co Mayo. This was after the big monetary crash and there were many deserted looking newly built houses. What stands out for me is visiting Croagh Patrick, the mountain visited by many pilgrims. That and being asked by a taxi driver where in Ireland did my family come from. I told him we had no Irish blood. He didn’t believe me, saying that everyone in Liverpool had a drop of Irish in them.

Was he right? When it came to tracing my ancestry a few years later, there it was in black and white William Walker, born 1791 in Ireland. I know that he was a weaver by trade who settled in Manchester and it is via his daughter who married and came to Liverpool that I am related to him. My difficulty is that there were numerous William Walkers in Ireland. Only the other year on WHO DO YOU THINK YOU ARE? that II discovered comedian Graham Norton had a William Walker in his ancestry.

But Walker doesn’t sound very Irish to me and when I looked it up, it says that the name originated in Scotland or Yorkshire and had some connected to the word fuller. Now way back in medieval times fullers were involved in the clothing trade. So if my Walker ancestry came originally from Scotland or Yorkshire, but some were born in Ireland, do I still have a claim to having Irish blood? Happy St Patrick’s Day!

I'LL START AT THE VERY BEGINNING: PART 48

 

 

Just sign here …and your name is?

 There was a time when a blank sheet of paper really scared me. I honestly believed I’d never be able to fill a sheet of A4 with words. But I had to try. In actually fact it took me a whole afternoon to write two hundred and fifty words on my old Underwood typewriter and not one sentence came from my imagination. Even so it gave me a terrible headache. What I had written was what I’ve heard so many beginners say when they’ve read their masterpieces out at our writers’ club in Crosby. “It was all true!” It’s as if they thought that what they had written was so incredible that those listening might believe it was rubbish.

 It took a while for me to draw on my imagination and at first I only did so because I seemed to have been given permission by the editor of the magazine I was writing articles for at the time. It gave me an overwhelming sense of freedom not only to discover I could make things up and embroider factual events but that fiction has a heck of a lot of factual events weaved into a novel.  Which is good because although my eldest son does some of my research, I used to do all of it myself in the beginning and even now I enjoy doing some as well.

 It seems a long time ago now since I did my very first talk. I remember standing in front of a group of people with my heart beating like a drum and feeling weak at the knees. I had never talked much about myself and my writing and I was worried about boring those gazing up at me waiting to hear what I had to say. These days I’ve done enough talking to enjoy sharing my love of writing and how I came to write my books not to worry about my listeners getting fed up of the sound of my voice. Even when some fall asleep before my very eyes.

My very first signing session had a similar effect on me except my fear was that no one would turn up. I would be left sitting there at a table in a bookshop and the bookseller and the publisher’s rep would decide it was a waste of time to promote me as no one wanted to meet me or read my book. I do remember being absolutely thrilled when the rep picked me up at my front door to take me on a tour of several Liverpool bookshops and stores. Some booklovers of a similar age to myself or even those in their forties will remember Wilson’s bookshop on Renshaw Street and Philip, Son and Nephew’s in Whitechapel. Today’s supermarkets had nothing on those booklovers’ havens. They had such character and I grief their demise. Having said that when W.H. SMITH’S took over the old Cooper’s building on Church Street it was a great place to visit for any dedicated booklover. How I miss that building!

 Although sometimes I would just go and sign stock in a back room, there were occasions when I also sat at a table near the entrance. Just before  Mother’s Day one year. I’ll never forget a man coming and buying a book for his mother. He returned twenty minutes later and bought another for his mother-in-law, saying to me, “I’m making you rich.” If only he knew what percentage an author gets of the published price he would have done a double-take and realised I’d have to sell a heck of a lot of books to become rich.

 I remember the arrival of Dillon’s on Bold Street, I recall sitting in a corner by the staircase waiting for someone to notice me and buy one of my books, not ask me where they would find Maps. Not long after Waterstone’s made an appearance further up Bold Street, except it had pillars either side of the entrance.

 In those days I remember even signing books in newsagents, one being in Central station’s precinct and another in Crosby village.

 My nearest bookshop is in Crosby, for those that don’t know the village it is about 5 miles from Liverpool to the north. I have spent many a happy hour in Steve Pritchard’s bookshop there. In the beginning way back in the 1990s the Crosby Herald used to print a BOOKSHELF compiling the top ten best selling books in Crosby. I still have the cuttings when my earlier books were at number one.

 Steve also had another shop and that was in Formby village a bit further north, nearer the coast. I remember my first visit to that Pritchard’s where Tony Higginson was the manager and how warmly I was welcomed. I have a photograph of me sitting outside in front of a window display of FLOWERS ON THE MERSEY.  Tony still gives me a warm welcome, although Pritchard’s in Formby has gone and Tony is now the owner of Formby Books situated in The Cloisters, near Marks & Spencer’s.

 This Saturday I will be visiting both Pritchard’s, Crosby, and Formby Books.  Between 11-12 I will be at Formby Books signing copies of A MOTHER’S DUTY  and at 1-2pm I will be at Pritchard’s in Crosby. Do come and say hello if you can. Love June.

 

 

 

I'M JUST AN OLD-FASHIONED GIRL: PART 47

I was watching The Great British Sewing Bee the other evening and they were having a special fifties edition which meant the contestants had to use the sewing machines of the day as well as make a dress fashionable at the time. I can honestly say I can’t remember the style of the garment that was the first challenge but I put it down to the likelihood of it being popular at the start of the fifties when I hadn’t even reached my teens and was not fascinated by fashion.

My interest came later with waspie belts, net underskirts, crochet tops and tartan trews which were purchased from various shops in Liverpool. I was never much of a one for sewing, although for the first two years at Grove Street girls only grammar school sewing was on the curriculum. I made a pair of pyjamas, a skirt and an apron all by hand and never touched a sewing machine until years later when I was married. I did like embroidery and I became a great knitter when my boyfriend was at night school in Colquitt Street three evenings a week doing his City & Guilds for Printing. Knitting helped pass the time whilst watching programmes such as Emergency Ward 10 and Dixon of Dock Green on Mam and Dad’s black and white telly.

On the other hand, my sister’s first job was as a sewing machinist, not that I ever remember her sewing much at home but maybe that was because it was too much like work. When the subject of the Sewing Bee came up the other day at a family gathering in the Jubilee Arms, she admitted to never watching it. I was stunned as I find it similar to people watching when on holiday, great entertainment. My sister-in-law who is a brilliant dressmaker as well as maker of fantastic wedding cakes, said she enjoyed it as much as I did.

Knowing something about the fashions of different eras is part of my job as a novelist. Last night I couldn’t prevent my mind from drifting to those evenings when window-shopping in Liverpool city centre was such a pleasure during the fifties and sixties. Many a courting couple saving up to get married would pass the time, gazing in dress shops and furniture shops, book shops and photography shops, not to mention having a gander at what was showing at the six cinemas all within walking distance for that Saturday night out at the pictures.

One of my favourite dress shops was Nanette’s on London Road which in spring always displayed a wedding dress, as well as a couple of bridesmaid frocks in their window. Although I didn’t buy my wedding gown from there, I did purchase two frocks for my trousseau. Do brides bother with a trousseau these days? One frock was made from midnight blue chiffon and had three quarter sleeves ending in frills and there was also a frill around the scooped neckline. I could never have made that myself in a month of Sundays. The material was so sheer and would slip all over the place when it came to sewing it - just like the material in the third challenge in the fifties Sewing Bee.

Other shops popular with the female sex were Du Barry’s, Etam’s, Dorothy Perkins, as well as the posher dress shops along Bold Street where you went if you had a few bob so I can't remember their names. Then there were the departmental stores, such as T J Hughes, C&A Modes, Lewis’s, Littlewood’s, Henderson’s, Blackler’s, Marks & Spencer, Owen-Owen, the Bon Marche and George Henry Lees - the later two shops were to amalgamate and when they moved more recently to Liverpool One became John Lewis.

I did do some sewing, of course. As the saying goes A stitch in time saves nine and I would sew up a hem when my heel caught it and I could sew on a button and my mother did teach me how to darn, using one of those wooden mushroom shaped thingies. When I did eventually buy a second-hand Singer sewing machine and tried my hand at dressmaking, my favourite shop for materials was George Henry Lees. It was a magical place taking up part of the basement, it was filled with such variety and colour it was like wandering into Aladdin’s cave. As for their haberdashery department with its buttons, cottons, zips, hooks and eyes and lengths of bice binding and fancy edgings that was a fascinating place as well and I loved wandering through it.

For men there were several shops trying to attract their trade, such as Jackson’s and Burton’s who offered made-to-measure suits as well as the ready made sort, shirts, jumpers, overcoats and the like. My husband’s wedding suit was made-to-measure in black mohair from Burton’s. The jacket was lined in scarlet satin and it looked the gear. He wore it with winkle picker shoes and a dazzling white shirt and a beautifully knotted tie. No one I knew in those days would have dreamed of wearing a morning suit with a topper as so many do today.

I can’t finish without mentioned catalogues, we might not have had the internet and credit cards but we could peruse pictures of the latest fashions and purchase clothes for so much a week. Neither were there any charity shops. Most likely because most of us possessed fewer clothes and only got rid of them when they were suitable for the ragman.
         How times change! So thank you Great British Sewing Bee for bringing back so many happy memories.      




　

I DIDN'T KNOW THAT! : PART 46

One of the things I love about being a novelist is discovering snippets of information about the places and times my stories are set. I remember publisher, Judy Piatkus, saying something along the lines that I have to create a world that readers enjoy escaping into. It is only by researching and using one’s imagination and feelings that bring the characters and a particular era alive. A MOTHER’S DUTY is a book I really enjoyed writing because it not only involved a storyline that was close to my heart but it was set in the Thirties and into the beginning of WW2 when so much was happening in Liverpool and the world in general.

Writing about one place in particular means that coming up with fresh storylines demands quite a bit of thinking about. Those involved in publishing and writing often advise Newbies to write about what they know. I always used to say and if you think you don’t know anything then find out as much as you can about what interests you. I write family sagas, so naturally I write mainly about situations involving families. For this book I wanted a mother with sons to be at the centre of the story. But I wanted their situation to be slightly different to the norm, so I decided that the mother, Kitty, would be the proprietor of a hotel. Where? Where else but Mount Pleasant which is not far from Lime Street railway station. I knew a fair amount about being a mother of sons but scarcely anything about running a hotel. So I plucked up my courage, took a walk along that thoroughfare, which before the arrival of the railway was called Martindale Hill and was set in countryside and I chose a place I liked the look of and rang the bell.

I was fortunate enough to be welcomed inside when I explained to the son of the proprietor my mission and flourished one of my books as my credential. Although his mother was too busy at the time to discuss the subject with me, we arranged a time convenient to both of us when we could meet. The information she gave me was invaluable in stirring my imagination and making not only my fictitious hotel real to me but also my character, Kitty. For instance I had never given much thought to how important the Grand National was to hoteliers and guest houses in my hometown. The same with Liverpool theatres, not only did people come into the city from Wales, Lancashire and from across the Irish Sea to see shows but the theatricals needed digs. Just as did travelling salesmen and those stopping off in Liverpool before taking ship to the U.S.A. Ireland, as well as Canada and other parts of the British Empire.

To help me visualise Mount Pleasant in the Thirties, I visited the Central Library and perused copies of Kelly’s Street Directories and so was able to pepper the Mount with a wigmaker, the YMCA, a dentist, and some nuns from the Convent of Notre Dame. Not far away was Georgian built Rodney Street with its doctors’ houses, as well as the workhouse on Brownlow Hill. Earlier that decade the maternity hospital on Oxford Street had been opened by a royal personage at a time when most mothers still had their babies at home.

Kitty is a widow so she pretty well has her hands full with running the hotel after her mother dies and then her brother-in-law decides to quit. She is left also doing her best to bring up her sons to be respectable and responsible. What she needs is a strong man to help her as well as to love while her sons are growing up.

Enter John McLeod wearing a kilt and carrying a violin case at a needy moment. He’s a bit of a wanderer without a steady job, who had been a medical orderly in the Great War. I provided him with a violin because I remembered how after WW2 there were those musicians who entertained the cinema and theatre queues and my mother told me it was the same in the Thirties. I also provided him with a monkey who also helped entertain the crowds. The monkey was on hire from a pet shop across the city near Netherfield Road. I had that information from my mother-in-law. It was a place she remembered well and loved, just as Kitty’s third son, Ben, did. It was my mother-in-law who told me the story about the white mice.

The reading of Liverpool Echos of the times, provided me with news about crime waves and protection rackets so there are moments of violence in the book. Some of the characters also travel further afield. I had the information about motorbikes and the incident with the pig in Wales from my dear Uncle Bill, who sadly is now deceased. For that about Oxford during the earlier part of WW2, I owe my son Iain who was a student there a few years back and was happy to return and do the research.

Most Liverpudlians of my generation know that Lewis’s and Blackler’s were almost destroyed during the Blitz but I never knew that there was a magnificent domed Customs House overlooking Canning Dock that was set alight with fire bombs during the May blitz until I began my research. It is there that Kitty’s eldest son, Mick, works before being called up and joining the navy. Sadly like many an erstwhile beautiful building in Liverpool, it was the city leaders who later completely destroyed the old Customs House. http://liverpoolremembrance.weebly.com/the-custom-house.html 

I could go on and on but for my readers in the South of England, I must add something I found out for myself on a visit to Brighton with my nephew, erstwhile professional football player, Garry Nelson, who inherited his love for the beautiful game from his Everton supporter grandfather and dad. I never knew that the lovely Oriental pavilion there built on the orders of George IV was to provide shelter and care for wounded Indian soldiers during the Great War. It is in Brighton that big John McLeod met his first wife.

And finally for those who have read FLOWERS ON THE MERSEY and remember Daniel and Rebekah, and the Quaker maid Hannah, they make a reappearance in A MOTHER’S DUTY which will be available in paperback and e-book the 26th February 2015.  

 

         

 

RING OUT THE OLD, RING IN THE NEW: PART 45

I love the sound of bells and for me church bells in particular. Their chimes used to be a familiar part of Sunday mornings years ago, not only in my part of Liverpool but throughout the British Isles. Church bells and their ringers have played important roles in books and films. Those who have seen THE HUNCHBACK OF NOTRE DAME will never forget Charles Laughton in the title role as the bell ringer who saved the gypsy girl, Esmeralda’s life, played by the lovely Maureen O’Hara. I also remember reading Dorothy Sayers’ THE NINE TAILORS set in the Fen countryside, featuring Lord Peter Wimsey. The nine tailors, of course, referred to bells. More recently bell ringers fell victim to the killer in “Midsummer Murders” when one of their member was determined to win a coveted cup in a yearly competition.

The joyful sound of church bells, just like the ships’ hooters on the Mersey, were very much part of the celebrations that saw the passing of the old year and the arrival of the new over the years. So not surprisingly in my latest book, my thirty-fifth, LOVE LETTERS IN THE SAND, set in the fifties, both bells and ships’ hooters get a mention as part of it takes place around that time of year.

These days I generally welcome New Year in the warmth of my living room with my family, watching the countdown in London and other capitals throughout the UK, listening to the bongs of Big Ben and gazing in delight at the fantastic fireworks displays. Once Andy Stewart and all things Scottish were popular and Clive James’s take on the old year was a must in our house for years and we still miss his humour.
And after watching THE KING’S SPEECH I am reminded of George V1 quoting from Minnie Haskins’ poem “The Gate of the Year” (1908) : I said to the man who stood at the Gate of the Year, ‘Give me a light that I may tread safely into the unknown.’ And he replied, ‘Go out into the darkness, and put your hand into the Hand of God. That shall be better than light, and safer than a known way.’


When I was less nesh (a dialect word taken from the Old English word hnesce and now in the wordbank at the British Library) I would be out celebrating, despite the cold weather. Crowds would gather at the conjunction of four main roads, Breck, Lower Breck, Belmont and Oakfield, the latter leading to Liverpool’s football ground and not that far from Everton’s Goodison. It was exciting being part of that lively group of Scousers welcoming in the New Year. First footing also played its part and my dad and later John and I would make sure we had a coin, a small lump of coal and a piece of bread in a pocket to take into the house with us to hand over to Mam or Dad as we passed over the threshold and brought in the New Year, hopefully bringing good fortune with us.

I wonder what you are hoping for in 2015. As I get older keeping healthy figures a lot. I also long for world peace and tolerance between people of faith and none. As well as food, warmth and shelter for all those without such essentials. But mostly at the moment I’m hoping that my youngest son will turn up on my doorstep. Not only is it a while since he took off for Eastern Europe and I miss watching old black and white films with him, but I need him to update my website, hear of his adventures and see his smiling face.
As it is I’ll have to make do with blogging about my books for now that will be published in 2015. They are as follows: A MOTHER’S DUTY will be released 26^th February in paperback and as an e-book, previously published as KITTY AND HER BOYS. LOVE LETTERS IN THE SAND out in hardback 31^st March. A DAUGHTER’S CHOICE out in paperback and e-book 16^th July, previously SOMEBODY’S GIRL. I’ll tell you more about the books and where I got my ideas from nearer the time. For now hopefully I can put up a cover or two on my Google + page.
HAPPY NEW YEAR!